Chesterton, IN (for Konrad), 2018
Archival Pigment Print
40 x 48 in.
Ed.of 5 + 2AP
Linear Construction #6, 2018
50 x 46 in.
Archival Pigment Print
Edition of 5 + 2 AP
Linear Construction #11 (Shaker Heights), 2019
Archival Pigment Print
35.75 x 50 in.
Ed. of 5 + 2 AP
Linear Construction #10, 2018
Archival Pigment Print
50 x 46 in.
Ed.of 5 + 2 AP
Wendover, 2019
Archival Pigment Print
32 x 40 in.
Ed. of 5 + 2AP
Stream (Orange), 2009
Archival Pigment Print
40 x 32 in.
Ed. of 10 + 2AP
Orange, 2007
Archival Pigment Print
28 x 28 in.
Ed. of 10 + 2AP
Rodeo Beach, 2009
Archival Pigment Print
39.7 x 50 in.
Ed. of 5 + 2AP
Edgewater (Diptych), 2013
Archival Pigment Print
50 x 80 in.
Ed. of 3 + 2AP
Parade Field, 2009
Archival Pigment Print
30 x 40 in.
Ed. of 5 + 2AP
Headlands II, 2009
Archival Pigment Print
40 x 31.25 in.
Ed. fo 10 + 2AP
Norquay (Yellow), 2007
Archival Pigment Print
36 x 36 in.
Ed. of 5 + 2AP
Wendover II (for John), 2011
Archival Pigment Print
40 x 50 in.
Ed. of 10 + 2AP
Cornfield, Sirna's Farm (Diptych), 2013
Archival Pigment Print
50 x 80 in.
Ed. of 3 + 2AP
Barnett Newman, 2012
Archival Pigment Print
50 x 40 in.
Ed. of 5 + 2AP
Horseshoe Lake, 2013
Archival Pigment Print
50 x 40 in.
Ed. of 5 + 2AP
Drill, 2014
Archival Pigment Print
40 x 40 in.
Ed. of 5 + 2AP
Drawing from his early theatrical training, and influenced by historical methods of staged photography and constructed set design, Barry Underwood seeks to transform ordinary, everyday vistas into unique, and often surreal, experiences. Both Underwood’s installation process, which uses actual structures and may take several days to complete, and his documentation, employing long exposure times to harness the area’s ambient light, rely as much on the artist’s ability to harmoniously collaborate with nature as disrupt it.
His photographs are made in various locations around North America, with many of them shot during artist residencies, such as The Banff Center for the Arts (Canada), I-Park Foundation (CT), Headlands Center for the Arts (CA), The Center for Land Use Interpretation (UT), and The MacDowell Colony (NH), among others.
SELECT COLLECTIONS
Museum of Fine Arts, Houston, TX
Elton John Photography Collection, Atlanta, GA
The Akron Art Museum, OH
The Cleveland Museum of Art, OH
TIAA-CREFF, New York, NY
Rockefeller Family Art Collection, Petaluma, CA
Euclid Beach, 2016
Archival Pigment Print
36 x 36 in.
Ed. of 5 + 2AP
Gros Ventre, 2015
Archival Pigment Print
50 x 40 in.
Ed. of 5 + 2AP
Jackson, Wyoming (for Rainer), 2016
Archival Pigment Print
40 x 50 in.
Ed. of 5 + 2AP
Jackson Hole (after Pfahl and Judd), 2016
Archival Pigment Print
20 x 20 in.
Ed. of 5 + 2AP
La Due, Line, 2016
Archival Pigment Print
28 x 28 in.
Ed. of 5 + 2AP
La Due Reservior, 2016
Archival Pigment Print
28 x 28 in.
Ed. of 5 + 2AP
Lake Erie, 2016
Archival Pigment Print
30 x 24 in.
Ed. of 5 + 2AP
Pipeline, 2015
Archival Pigment Print
36 x 36 in.
Ed. of 5 + 2AP
Roses, Little Italy, Cleveland Ohio, 2016
Archival Pigment Print
30 x 24 in.
Ed. of 5 + 2AP
Sirna Woods, 2016
Archival Pigment Print
32 x 40 in.
Ed. of 5 + 2AP
Sirna's Farm, 2015
Archival Pigment Print
24 x 120 in.
Ed. of 5 + 2AP
String Lane, 2016
Archival Pigment Print
40 x 32 in.
Ed. of 5 + 2AP
Wakeshigan River, 2016
Archival Pigment Print
30 x 24 in.
Ed. of 5 + 2AP
Blue Drill, 2015
Archival Pigment Print
36 x 36 in.
Ed. of 5 + 2AP
